CULTURAL INTERTEXTS

Home > Volumes > 8-2018
  • 1-5 First Pages.pdf 
  • 6 Editor-s Note.pdf 
  • 7-31 Besbes - Literary Piracy and the Art of Experimental Narratives.pdf 
  • 32-44 Borowiec - Inside Noise – A Case of Intersemiotic Translation and Metatheatre in Radio Drama.pdf 
  • 45-72 Colipca-Ciobanu - Representations of Migration in Angus Macqueen’s The Last Peasants. Journeys.pdf 
  • 73-79 Colodeeva - The Masquerade of Social Selves in What Maisie Knew by Henry James.pdf 
  • 80-93 Gheorghiu - As if by Magical Realism – A Refugee Crisis in Fiction.pdf 
  • 94-104 Mohor-Ivan - Tropes of Ireland in the Gendered Mirror.pdf 
  • 105-111 Necula_Merila - On the Origin of Species – Adaptation.pdf 
  • 112-121 Pintilii - Ambivalence Towards the Traditional Victorian Model of Femininity in Rosa Nouchette Carey’s Rue with a Difference.pdf 
  • 122-140 M. Praisler _A. Praisler - Writing on the Woolfian Palimpsest. Michael Cunningham’s The Hours.pdf 
  • 141-147 Ruprecht - Romanian Cultural Identity After Admission to the European Union.pdf 
  • 148-155 C. Stan - Identity in The Unbearable Lightness of Being by Milan Kundera.pdf 
  • 156-162 S. Stan - Modernity and Postmodernity. Some Reflections.pdf 
     
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CULTURAL INTERTEXTS

Dunarea de Jos University. Faculty of Letters
Galati

cultural.intertexts @ gmail.com


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