- 1-5 First Pages.pdf
- 7 Editor-s Note.pdf
- 9-16 Alshammari - On Mares in Miral Al-Tahawy‘s The Tent.pdf
- 17-32 Bakare - The Influence of the Mbari Club and Early Nigerian Prose Writers on the Nigerian Literary Dramatists.pdf
- 33-53 Balogun - Diaspora Theatre and the Yoruba Sacred Tradition – Aimé Césaire‘s A Tempest.pdf
- 54-66 Besbes - The Trauma of Existence in The New York Trilogy.pdf
- 67-92 Colipca_Mohor - Janeitism and-in Karen Joy Fowler‘s The Jane Austen Book Club.pdf
- 93-103 Colodeeva - The Jamesian Material Self – Show Me Your House and I Will Tell You Who You Are.pdf
- 104-123 Debita - The Re-Emergence of Medieval Authorship Models in Contemporary Genres.pdf
- 124-136 Hart - Fat Fetishism and Feederism on Film.pdf
- 137-157 Lancaster - The Evolution of the Dispirited Black Female in Zora Neale Hurston‘s Their Eyes Were Watching God.pdf
- 158-168 Pelin - The Coral Island vs. Lord of the Flies – Variations in Emotional Intelligence Skills.pdf
- 169-182 Pintilii - Representations of the Upper-Class Victorian Father in Ellen Pickering‘s The Fright.pdf
- 183-195 Praisler - Hi(s)story Gone Wrong. Martin Amis on the Holocaust in Time‘s Arrow.pdf
- 196-210 Rata - Memory and Identity in The Ocean at the End of the Lane by Neil Gaiman.pdf
- 211-218 Stan - Textual Hybridity in Orhan Pamukʼs The Black Book.pdf
- 219-234 Wiegel - Tea first. Then war! - Alan Ayckbourn‘s Neighbourhood Watch (2011).pdf
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